Cool Shades: The History and Meaning of Sunglasses
Vanessa Brown
Bloomsbury
In Cool Shades: The History and Meaning of Sunglasses, Vanessa Brown addresses the links between the kaleidoscopic and evasive
concept of ‘cool’ throughout the twentieth century and the history of
sunglasses. It is a valiant attempt to show how sunglasses chime with
ideas of detachment, superiority, alterity, meaningless and glamour, but
Brown avoids explicitly addressing the true aim of the book, which is
to provide an attractive theory of ‘cool’.
Cool Shades: The History and Meaning of Sunglasses
is divided into nine sections that suggest sunglasses can be seen as
reflections, manifestations or materialisations of diverse narratives of
‘coolness’. The thesis takes its starting point as the turn of the
twentieth century, when European cultural elites dealt with alienation
in the metropolis by manifesting their detachment from their bustling
surroundings. The journey ends by presenting the reader with
the view – largely drawn from an exploration of Andy Warhol – that
‘coolness’ is a defence against the assault on the self and the
debasement of meaning, which are considered by Brown to be two central
features of modernity.
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